"Art and Objecthood"

"Art and Objecthood" is an essay by Michael Fried that examines how modern art shifts focus from purely visual images to the experience of being present with the artwork. Fried critiques minimalist sculptures and performances for emphasizing their physical presence and materiality over traditional aesthetic qualities like beauty or craftsmanship. He argues that successful art should engage viewers deeply, creating a sense of "presentness," rather than merely existing as objects to observe. In essence, Fried explores how art's integrity lies in its ability to foster a direct, immersive experience rather than just serving as a visual object.